Performance Anxieties

It has been a little while since I last did what I term a ‘proper post’. In my case that would be one which includes insightful sentences and isn’t just a pretty list of everything I’ve done and places I’ve been. Truth is that’s all I’m mostly able to do these days since taking Anna beyond the comfort and relative safety of the house. A nice relaxing session at home is rare and I would like to do that again sometime soon, away from natural light, sweaty bars and the uncomfortable scrutiny of strangers.

Since my last dialogue, discounting the two poems I published recently, Anna’s had four more outings and I would say they all went rather well. I’ll briefly share some imagery from them here.

These are from when I played Nice n’ Sleazy for the Spite House/Queer Theory takeover. It was a fantastic night! Some truly awesome acts played – too many to mention. The top image was one of three taken by my wife whom I enjoyed a fun date night with once I came off stage.

These two pictures were taken the next morning when I had an hour or so to myself. I was trying out another new red wig I had purchased the week before. Out of speed my makeup was minimal.

The pics with the houndtooth skater dress are from the middle of April when I returned to Allsorts Cabaret after nearly a year. That was a brilliant show too, hosted by the marvellous Markee De Saw and featuring Daiquiri Dusk, Innocence Bliss, Wild Card Kitty, Sharrow, Miss A. Tique, Ann Phetimine and MC Hammersmith. That last chap was particularly impressive with his polite freestyle rapping. He performed at Spite House too and he was able to do a whole rap where he encouraged the audience to hand him whatever they had about their person and he would include them in the lyrics. I handed him a bit pipe I found backstage! 😆

A week or so later another new wig came, this time in a shorter style so that I didn’t eat it whilst singing or get in my eyes (it does both as a matter of fact).

Later that day I headed off to the Bungo in the southside again to play with The Creative Martyrs, Haystack Monolith and Dasa Fon Flasa. I had a great night there too, Haystack and the Martyrs were on fine form. Haystack’s Slovakian friend Dasa was brilliant too – he did a great rendition of ‘Always look on the bright side of life’ in his native language. I have no performance videos or photos but I did take a few reference shots beforehand as I always do.

The next gig on the calendar was an interesting one. The first instance of Anna and The Well Happy Band being on the same bill. This happened at McChuills last night as part of Yellow Movement Sundays. It was billed as a jam session but that didn’t really some to pass as the turnout musically speaking wasn’t as great as hoped. I was on before the Well Happy Band so after I finished I crossed to the other side of the stage and picked up my bass. I was rather broken by the end of it. This is the only useable photo I took – which is a pity as you can’t see my cute skirt. Someone was taking photos so hopefully I can see them and share them at some point.

I called this post Performance Anxieties because I wasn’t sure what else to call it. I still get them big time but for a variety of reasons. Nervousness varies wildly depending on if I know the venue or crowd well enough. My main worry is my material. I always feel like I never have enough new stuff particularly in the song department. Happily I was able to deploy a new song last night called ‘Why won’t cheerleaders come near me?’. That seemed to go okay but I aim to get more soon. I’ve begun planning a new album for Anna. The last one was hastily compiled for giving away at gigs but I think with time and effort I could come up with something stunning, funny and hopefully musically awesome. I want to call it ‘Tits of Steel’. It was from a comment my friend Mercury said to me after my first ever gig, she told me I had tits of steel. I thought that was hilarious!

I also worry about not having enough or having too many gigs. Having a busy homelife makes it tricky to justify them sometimes and I know my wife does feel left out a lot of the time. I’m not sure I’ve balanced it right but sometimes it is hard to say know when people you admire offer you the chance to perform at one of their nights. Social media makes it harder as well as I see a lot of shows advertised where I think I’d love to play that night, I’ve never done it before it looks fun. You contact them but you get no reply and you think (well, I think) oh shit I must be rubbish because they don’t want me. I hate thinking like that but it’s difficult not to. There was an instance last month of one of my gigs being cancelled, and this was one I’d been lobbying for for nearly a year. I know deep down that it’s very unlikely I’ll be rebooked for another one and that chance has gone.

I’m playing again tonight, back again at my spiritual home Spangled Cabaret. Probably ditching the poetry as I have done on a few occasions. I wonder if anyone would notice if I stopped doing them altogether?

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